Hades II 1.0

Mar. 28th, 2026 10:44 pm
schneefink: River walking among trees, from "Safe" (Default)
[personal profile] schneefink
A little over a month ago I finally started my Hades II 1.0 playthrough, and I've been having a lot of fun. I just reached another milestone today so I thought now is a good time to post some notes.

My first 62 runs )

Major Pettigrew's Last Stand

Mar. 28th, 2026 02:03 pm
selki: (wuv)
[personal profile] selki
I'm leading another library discussion April 16. This one is a pleasant middle-aged romance / comedy of manners in a 2010 British village (caveat: some family drama). Must have Zoom account (free is fine) to join (don't have to be local)! 

I enjoyed this book over a decade ago and went to hear the author, Helen Simonson, talk about it back then at the Bethesda library.  The part I remember most is she wanted to put an elephant in it (the big banquet scene) and her editor said no.  Sometimes editors are right. Anyway, I have a hold on the audiobook but it's a 6-week wait. If I have to, I'll get the ebook from Libby, or the print book from the library, to refresh my memory. I may not come up with my own questions this time, since there are two reasonable discussion guides online (I don't agree with the assumptions in all of them, but they're reasonably phrased and can spur discussions either way).  

Events of note: March

Mar. 28th, 2026 12:20 pm
rmc28: Rachel in hockey gear on the frozen fen at Upware, near Cambridge (Default)
[personal profile] rmc28

(some of these have had their own posts; some probably should; do ask me to expand in comments if you want more details!)

four busy weeks )

April has two uni Nationals weekends in Sheffield (one each with Womens Blues and Huskies), a hockey camp in Hull, three other hockey games, hopefully some more theatre trips, and a movie date next week with Tony.

Hyper Projection Engeki: Haikyu!!

Mar. 28th, 2026 10:36 pm
meteordust: (Default)
[personal profile] meteordust
So when I got into Haikyu!! last year, I read the manga and watched the anime. But I also discovered there was a stage play! Or rather, a series of eleven stage plays that covered pretty much the entire story.

They were performed in Japan from 2015-2021, and have recordings on DVD and Blu-ray. Sadly I don't have a region-free player anymore (why are they so hard to find now?) so I've been browsing video clips online.

I love seeing how things get adapted into different formats. But you might wonder - how do you portray a volleyball match onstage?

Physically - with the use of projection screens, sound effects, and - when you have a dramatic slo-mo sequence - a volleyball on a stick moved like a puppet.

Metaphorically - with dance battles!

So these are stage plays, not musicals, ie nobody sings. But they dance! And do acrobatics. Some of the volleyball matches are like dance battles, and the different teams have their own dance styles. Which is pretty cool.

It's also pretty cool to see live action versions of these characters. The actors do a great job of capturing their essence.

Anyway, the opening sequence below (from the second stage play) gives a good sense of the vibe:

Opening Sequence (Karasuno, Revival!)
spywindow: (optimistic wallpaper)
[personal profile] spywindow
The One Piece marathon continues on apace! I have now finished the Fishman Island and Punk Hazard arcs of the One Pace cut, and am currently about two-thirds of the way through Dressrosa (or rather, exactly two-thirds: it's a hundred chapters long, and I just finished watching the bit of the anime that corresponds to chapter 67). I've just gotten to the end of a very tragic backstory flashback.

current favorite character ranking )

2025: Many Things

Mar. 27th, 2026 11:21 pm
schneefink: (Feldgatter)
[personal profile] schneefink
It's very late March, I know, but better late than never. Most of this was written back in December/January.

Fannish things )

Non-fannish things )

Heated Rivalry the book

Mar. 27th, 2026 07:24 am
tassosss: Shen Wei Zhao Yunlan Era (Default)
[personal profile] tassosss
I've been listening to the audio book, and it's good. It's a classic romance structure and the show is a really faithful adaptation. What I'm really enjoying about it is the inner voice we get to hear from both Shane and Ilya. They are so head over heels for each other but they won't admit it, or look at those feelings because they're so afraid of what that means. 

Good stuff.
dreamlittleyo: (Ted Lasso: Trent Crimm)
[personal profile] dreamlittleyo
Wildly Off-Base (13913 words) by dreamlittleyo
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Trent Crimm/Ted Lasso, Trent Crimm & Colin Hughes
Additional Tags: Season/Series 02, Post-Sunflowers, Misunderstandings, Angst, Jealousy, Protectiveness, Queer Friendship, Accusations and Assumptions, Earnest Apologies, Jealousy Makes Ted Stupid, but he gets there in the end

Summary: When Ted notices how close Trent and Colin have grown since Amsterdam, he jumps to some faulty conclusions, then sticks his nose in and ruins everyone's day. All that would be bad enough—the last thing Ted has ever wanted to do is hurt the people he cares about—but when the whole mess puts him face-to-face with some unforeseen personal truths, the road to making things right feels more daunting than ever.

Read on AO3...

Or read below the cut... )

 

wednesday reads and things

Mar. 25th, 2026 06:27 pm
isis: (Default)
[personal profile] isis
What I've recently finished reading:

Cinder House by Freya Marske, which is a gothicy Cinderella retelling except that Cinderella is a ghost. For some reason I had osmosed it was f/f, which it is not, though it's not strictly het. The various analogs to the fairy tale were mostly quite charming, and the various rules of ghostness and magic as well - I enjoyed it a great deal. More of a novella than a novel.

What I've recently finished watching:

It looks like I didn't say anything after I finished Pluribus; it was...okay, interesting, some weird plot-gaps (not exactly holes, but) that had me thinking, "yes, but..." a lot.

We watched A Knight of the Seven Kingdoms which was enjoyable enough, though I could have done without certain graphic disgustingness.

Bridgerton S4 was fun as usual. Sophie was delightful (another Cinderella story, hee, complete with evil stepmama!) and the resolution there surprised me a little but I liked it. I was expecting a different outcome of Francesca's story due to osmosis about the books, but I guess that will happen next season. I was completely gobsmacked to see Cressida again but as usual her terrible sartorial choices made for excellent comic relief.

Okay, this was definitely a shorter media review than usual, but I need to finish packing - we're heading out on a camper van roadtrip vacation tomorrow morning. See you all sometime in April!
petra: Barbara Gordon smiling knowingly (Default)
[personal profile] petra
MinoanMiss's obituary. Which I will eventually be able to read.

If you knew her and you have some cash to spare, there is a GoFundMe for burial & memorial costs.

*

I am hanging out with [profile] jackabug and [personal profile] teland this week, after meeting [personal profile] katarik and having a meal with Jack, Kat, and [personal profile] jadelennox after the memorial last weekend.

It is good to be on vacation.

I am mostly Not Thinking about the event this weekend, to which I was going to take [personal profile] minoanmiss, because when I think about it, it makes me want to cry. On the plus side, I will have quite a few other people I know there to talk to, sing with, and hug.
petra: Barbara Gordon smiling knowingly (Default)
[personal profile] petra
Ashes to Ashes + DCU Crossover:
Holiday makers - Alex Drake, meet Barbara Gordon.

Avengers (2012):
Nutritious high protein - Why Steve Rogers's shirts fit the way they do. (Gen)

DCU:
A bird in the hand - Bruce Wayne/Dick Grayson, the first identity porn story, Brucie Wayne/Nightwing. With Jamjar.

Also from the How to Marry a Millionaire verse, Mussels, with Bruce/Dick/Clark.

À la recherche de la honte perdue - Bruce Wayne/Dick Grayson, in which Dick dresses as Marie Antoinette (just like in canon) and Bruce dresses as Louis XVI (canon!) and then they have sex (okay, that was me).

If you're on fire - Steph Brown, Cassandra Cain, and Kon-El have Adventures.

In Flagrante Delicto - Slade Wilson/Dick Grayson, co-written with Rubynye, as were the commentaries. (Yes, I do know how much it's going to suck for people to get a heads-up from her, but it's better than losing her words.)

So unlike a wife, Bruce Wayne/Dick Grayson with crossdressing, Selina Kyle, and sharp edges.

DVD commentary by Petra on [personal profile] teland's Entelechy - Dick Grayson/Tim Drake, content some readers may find disturbing. <3 <3 <3 <3 <3

Good Omens:
Holy unnecessary - a snippet of the story where Crowley wakes up with a penis (no interpersonal sexual contact)

Life on Mars/Ashes to Ashes:
Ease my worried mind - Take Clothes Off As Directed (Dom/sub roles as socially normative/constructed), Sam/Gene, Sam/Annie.

L'appel du vide - Several stories deep into a series of Gene Hunt/Alex Drake/Sam Tyler/Annie Cartwright. With thatyourefuse.

Star Wars:
The letter and not the spirit - Obi-Wan/Anakin, a snippet of the story, involves cuddling
rachelmanija: (Books: old)
[personal profile] rachelmanija


Ezra, an Ojibwe teenager, has to flee Minneapolis when the home of the racist teenager who bullied him burns down, and he becomes the prime suspect. He goes to Canada to run traplines with his grandfather.

Where Wolves Don't Die is mostly a coming of age story; the thriller/mystery element is present but minor. It was recommended to me "Like an Ojibwe Hatchet," which definitely captures a lot of the vibe though it's about learning in community and family rather than isolation. Ezra goes from boy to man while he learns the old ways with his grandfather, who he loves. It's engrossing and moving. I liked that Ezra actively wants to stay with and learn from his grandfather rather than resisting it and having to come around.

Content notes: Hunting and trapping is central to the story.
petra: Carrie Fisher dipping Mark Hamill circa 1977 (Carrie F & Mark H - Dancing)
[personal profile] petra
Love for a dollar (1167 words) by Petra
Chapters: 1/1
Fandom: Singin' in the Rain (1952)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Cosmo Brown/Don Lockwood/Kathy Selden
Characters: Don Lockwood, Cosmo Brown, Kathy Selden
Additional Tags: Gift Fic, Domestic Disputes, Domestic Fluff, Polyamory Negotiations, Happy Ending
Summary:

When R. F. recognizes Cosmo's genius and gives him a raise, he wants to pay rent. Don and Kathy have opinions about this.



Read more... )
rachelmanija: (Books: old)
[personal profile] rachelmanija


An epistolatory novel about the friendship between an American Jew, Max, and a German, Martin. As Hitler rises to power, their relationship sours, in some expected ways and some less expected, as their characters are revealed.

Very short, very powerful, very technically skilled, a quick easy read with an unexpected and unforgettable outcome. Seriously, don't click on spoilers if there's any chance you'll read the book. That being said, I read it because Naomi Kritzer told me the whole story and it was still great. Thanks for the rec!

The book was published in 1939 under a male-sounding pseudonym, but the style feels almost modern and the themes feel incredibly modern. There's an afterword about what inspired the book, which which is worth reading. Taylor had some German friends who seemed like kind, wonderful people, who became fervent Nazis and abandoned their Jewish friends. In a question so many of us are asking now, she wondered, What changed their hearts so? What steps brought them to such cruelty?

Read more... )
duskpeterson: The lowercased letters D and P, joined together (Default)
[personal profile] duskpeterson

Immediately in front of you, as you enter the palace, is the most important chamber in the palace: the Chara's court.

As you will have gathered by now, peninsularean royal life is centered upon the rulers' status as High Judges over their people. This can be seen most clearly in the Chara's court, which contains an impressive throne where the Chara sits as he hears his court cases.

The main doors to the court are gilded but plain in design, except for the inscription on them of a balance (scale) holding a bird in one pan and a sword in the other pan. This is the Chara's emblem, which appears on Emorian banners, on covers of the Chara's law books, and in many other places. The doors are two storeys tall and are made deliberately heavy. At the time they were built, occasional outbreaks of fighting still occurred between the Chara and his council. The fortress-heavy doors permitted the Chara to endure a siege by his council.

Today, the doors are guarded during council sessions. Assuming you have already gone through the protocol of entrance into the palace, you may simply give your name to the guards there; they will check the list of palace guests and then permit you into the court.

There is no seating in the court, except for the Chara, but you will see that Emorians stand in orderly rows. There is no special section for visitors; simply stand in one of the rows. The rows surround the Chara's throne on four sides. Which side is the best is hotly debated. I recommend the back side for new visitors. This will allow you to watch the Chara's arrival, but it will shield you from watching the face of the Chara transform into "the look of the Chara," which many visitors find as terrifying as a similar transformation in the face of Koretia's ruler.

Light conversation is permitted before the court session begins. The arrival of the Chara is signalled by trumpets. From that point on, you should remain silent and motionless. Even coughs and sneezes are considered so disruptive that you may end up expelled by the vigilant guards.

An exception to this respectful silence is if you bring a translator. Your translator should introduce himself as such when you enter the court. He may whisper a translation to you during the proceedings. Translators who use gestures to convey their information should take care not to bump into other visitors in the compact rows of listeners.

The court follows the same procedure during every case: The prisoner is brought forward under guard, the charges are read, and previously scribed accounts by witnesses are recited by the Chara's clerk. Witnesses are usually present in the court, so that the Chara may ask them questions if needed. The prisoner's own document of witness will be recited. He will be given an opportunity to declare aloud his innocence or guilt, to provide further witness to his actions, and to call upon any additional witnesses present in the court, who may have decided at the last minute to speak on his behalf. At the end of the case, the Chara will offer his judgment, using a time-honored ritual. The prisoner will then be escorted out of the court, either to be freed or to be punished. See the chapter on the Chara's law for more information.

If you are in the court as a witness, you may be asked to come forward. Stand at the foot of the thirty-step platform holding the throne, directly in the Chara's view. You should bow to the Chara, if your gods permit that. Eastern mainlanders may prostrate themselves, but should do so in the briefest manner possible; lengthy obeisances are not valued in the Three Lands. If your beliefs do not permit you to bow or make obeisance, then you should nod your head briefly, as a courteous acknowledgment of the Chara's status as High Judge. Lack of any gesture will be seen as insulting and may harm your nation's relations with Emor.

Wait until the Chara's clerk – the man at the Chara's right hand, who has been reciting the witness documents – signals you to speak. Thereafter, take your cues from the Chara, answering any questions he asks. Do not volunteer any information you have not been asked. Do not greet the Chara by words. Do not – may your gods protect you – compliment the Chara on his outfit or engage in other light chitchat. Emorians are highly formal people; only the eastern mainlanders take protocol more seriously than Emorians do. Whatever you may think of this strict formality, you should conform to it. Believe me when I say that southern peninsulareans find this nearly as much a strain as northern mainlanders do; nonetheless, if you take the trouble to visit Emor, you need to follow their sometimes onerous customs.

If you're tempted to make a public fuss, keep in mind that the small door at the north side of the court, through which the prisoner enters and exits, leads almost directly into the Chara's dungeon.


[Translator's note: The Chara's court is in session in Blood Vow.]

The Jewish War: First half of Book 4

Mar. 22nd, 2026 08:05 pm
cahn: (Default)
[personal profile] cahn
Last week: Josephus really hypes Vespasian up! Galilee is also very nice! Discussion of Josephus' prophecy of Vespasian, both in Josephus and in Feuchtwanger's novelization, with detours into Antonia and Caenis.

This week: Internal strife in Jerusalem! Lots of internal strife!

Next week: Last half of book 4.

Shadow Update: Hosting & Bedding

Mar. 22nd, 2026 06:40 pm
jesse_the_k: central cone filled with soft spikes, tired lavender petals droop straight down (coneflower mid August)
[personal profile] jesse_the_k

We were delighted by Shadow’s response to his first visitors last night. We kept him crated until they’d seated themselves ready to watch the first two eps of Slings & Arrows. He made not a peep when they arrived nor during our typically uproarious dinner. Once we let him out of the crate, he observed them closely. One guest had recently enjoyed a hot-and-sour sauce on her egg roll. She invited him closer and he licked her hands! He permitted the other to pet his back. He curled up in his bed (immediately below the TV) and peacefully admired the assembled multitude.

Early this AM MyGuy placed one of Shadow’s beds on my side of our bed. Around 6AM he tip tip tap tipped into the bedroom and curled up in it, keeping me company for 45 minutes.

He was in the breezeway with MyGuy 20 minutes ago, having just come back from his evening constitutional. Just as his lead was unhooked, the leonine March wind blew open the door to the backyard. Shadow was out like a shot. MyGuy called him back, but he kept backing up. At last, MyGuy leaned on the garage holding the door open, and Shadow scooted right back in to the breezeway.

The wisdom around rescues is a rule of 3: 3 days to decompress, 3 weeks to learn routines, and 3 months to feel fully at home. We’re on track.

(Got to get some Shadow icons!)

lannamichaels: Astronaut Dale Gardner holds up For Sale sign after EVA. (Default)
[personal profile] lannamichaels


Title: The People You Meet Along The Way.
Author: [personal profile] lannamichaels
Fandom: The Parent Trap (1998)
Rating: G
Archives: Archive Of Our Own, SquidgeWorld

Summary: Twelve years later, they meet at an airport.


Meredith is so fun to write )

petra: Paul Gross in drag looking blank (Ms Fraser - Secretly Canadian)
[personal profile] petra
Quartetto (146039 words) by Sixthlight
Chapters: 11/11
Fandom: due South
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Benton Fraser/Ray Kowalski/Stella Kowalski/Ray Vecchio, Stella Kowalski/Ray Vecchio, Benton Fraser/Ray Vecchio, Benton Fraser/Ray Kowalski, Ray Kowalski/Stella Kowalski, Benton Fraser & Stella Kowalski, Ray Kowalski & Ray Vecchio
Characters: Stella Kowalski (due South), Ray Vecchio, Benton Fraser, Ray Kowalski
Additional Tags: Polyamory, Slow Burn, Trauma Recovery, Queer Themes, Feminist Themes, Bisexuality, Female Protagonist, Second Chances, Post-Canon, Roman fleuve, Foursome - F/M/M/M
Summary:

So, men. Maybe Stella was over that.

*

This story digs deep into the situation implied in the phrase, "I swing both Rays," in that Stella always has, and so does Fraser. Eventually, after some lovely family tension and gloriously due South coincidences, they find their way to a dynamic sort of domestic peace, in defiance of all the canon's fear of limerence.

This was very, very good for my heart, with its rampant bisexuality and careful, thoughtful exploration of how these characters -- some of whom have solid reasons at the outset not to like each other very much -- find attraction, and joy, and above all banter. The banter is fucking golden. I love Fraser's voice, and this reflects it; I love RayK when he's flustered, and there is plenty to fluster him here; I love Vecchio when he is sharp and sweet and sardonic, and oh my heart.

And. Possibly most importantly, Stella. I have never spent much time thinking about her, but how I adore her in this piece: incisive, driven, sure of herself even when things are going completely bananas all around her, because women are the real straight men in due South, except when they're Frannie. (Who is also great here, don't get me wrong.) Stella's family works very well in their role in the narrative, both as foils of what her parents will tolerate (Francis!) and as what they thought Stella should be (ah, Jean, heartbreaking to get everything right). Stella with her view of reality that isn't quite the parareality of due South -- she may talk to Dief, but she doesn't entirely believe he understands her, nor that he talks back, despite the convictions of the people around her. She lives on a different wavelength than Fraser, and even RayV, as the quintessential Woman Who Got Away, but it is deeply satisfying that here, she doesn't get away, and instead, she gets everything she ever wanted.

Every single bowling reference made me make the :D face. Thank you, sixthlight, for saving Stella and Vecchio from the bad, bad canon, and instead delivering them to this much better situation.

(no subject)

Mar. 21st, 2026 10:22 am
skygiants: Rue from Princess Tutu dancing with a raven (belle et la bete)
[personal profile] skygiants
I've seen two Boston Ballets in relatively quick succession over the past month, both combo programs featuring two pieces; the first was "The Rite of Spring" (Elo's, not Nijinsky's) paired with Pite's "The Seasons' Canon," and the second was a premiere, Stromile's "The Leisurely Installation of a New Window," paired with Ashton's "The [Midsummer Night's] Dream."

Breaking with the actual curation of the productions, I'm going to talk about "The Rite of Spring" and "The Leisurely Installation of a New Window" together because they both came first in their productions, they had kind of similar vibes, and I experienced similar feelings of mild disappointment about both of them that were not technically the fault of the productions. I was really excited about "The Rite of Spring" because I wanted to see some ballet dancers do a dramatic ritual sacrifice, and I was really excited about "The Leisurely Installation of a New Window" because I wanted to see some ballet dancers slowly install a window. Instead, both of these pieces were kind of abstract explorations through dance of the Relationship between the Individual and Society, and I think both would have been enjoyable for fifteen minutes but ran a bit long at half an hour.

The description for "Window" in the playbill reads:

Eighteen dancers inhabit the work through distinct but interdependent roles. The Seeker stands close to tradition, moving with discipline and clarity. The People operate within shared systems, attentive to both order and its quiet tensions. The Reformers introduce disruption, not as spectacle, but as pressure applied from within.

This did help me understand better what was going on in the dance, as the Seeker stalked around holding a book and then portentously passed it off to some dueting Reformers, but also made it feel a bit like a LARP that I was not participating in. On the other hand Reeves Gabriel of The Cure was There and Participating in Ballet Music (and every bit of marketing wanted you to know that Reeves Gabriel Of The Cure was There and Participating in Ballet Music) and occasionally the music would get very thrillingly electric guitar and you'd be like "Hello, Reeves Gabriel of The Cure!" So it's not that I didn't have a fine time, I just would have been okay with somewhat less of that time.

However, after these very mildly disappointing openers, I loved both "The Seasons' Canon" and "The Dream" very much! The Seasons' Canon is, justifiably, a known Boston Ballet showstopper -- a huge piece with a huge cast, and as you guys know I often have trouble with a piece that is not trying to tell me a story but this piece is truly just Humans Make Big Shapes and it's riveting. Could not take my eyes off it. The trailer here gives a bit of a sense but of course is not that much like seeing it Actually On Stage, but it does let you see one of the things I found most striking about the piece which is how extremely non-gendered it is -- everyone on that stage is dressed identically in pants and nude tank that makes them look topless, the whole corps looks like one and moves like one and there is nothing to distract you from that. Really, really cool experience.

And "The Dream" -- look, I'm a simple soul, and what I have discovered is that I love Ashton's silly panto-esque ballets. They are fun and they are funny and I love it when people get to be funny in dance! Dance jokes are good actually! Titania ballet-hopping her way towards Bottom in a way that manages to be simultaneously fairy-like and hilariously sultry, the arguing lovers constantly picking each other up and pirouetting a partner firmly Away from them Thank You, the rude mechanicals!! we wanted more rude mechanicals but I was so glad we got what we got. A+ Midsummer Night's Dream, would see again.
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